�BioElectricHealth.org�
Where the Knowledge Meets the Node!
So your brain does not go dead,
Shake the sand out of its head,
Cause one thousand shakes per day,
(Keeps/Gets) a head working okay,
And I'm telling you no lies,
Cause that sand exits its eyes.
Another shroom,
Self harvested,
Robin's body,
Now is dead.
If he knew,
What he needed,
He would not,
Have been defeated.
Living under,
Business
Administration
Nullifying
Knowledge
Surreptitiously of Subliminal
Negative
Obscuration
Work,
Left him no more,
Ways to go.
His not knowing,
Was constricting,
Cause when you don't,
Most ways are missing.
Betting on,
That way to free,
Produced the loss,
That should not be.
Though it's lot holds with,
Pleasure, pain.
His loss is now,
Each our gain,
Thus, Robin's work be-,
Stows the feast,
It's host's wish,
"Bon appetite!"
When
you just can't take it,
You don't have to bake it,
Break it, or fake it.
Just shake it.
You'll make it.
Why assume,
You're not a
mushroom,
When what you don't know,
Can't help you?
Tell your family and friends,
Of your means to the end,
Of the fact,
When you're Healthy.
For defeating the bills,
Of wreckage and ills,
Holds open the door,
To get Wealthy.
And cause some people's doom,
Holds others in bloom,
It's not unwise,
To stay Stealthy.
I'm just another mushroom,
Growing in the barn,
That's run by mushroom farmers.
There's no cause for alarm.
"Now finish all your mushrooms,
Mushrooms on your pie,
Or in the sauce upon your pasta,
That's
why they live and die"
Shrooms do not live forever.
On this the man depends,
For harvests' yield, that's the deal,
That keeps him soaked in friends.
To keep your HOST* a humming,
Humming like a bird,
Avoid High Fructose Corn Syrup,
That's the honest word.
And carburet all your ions,
Which come packed in minerals.
Electricity is what they make.
Your JUICE* gets so charged full.
And if you want to live for long,
Keep your guard up high,
Cause they really want to harvest
you.
And the Harvest's where you die.
Why? Cause once you find out,
You will really know,
How they manipulate your thoughts,
So it's you, whom they control,
To get the largest harvest,
Yes the greatest yield,
With which to buy all the friends,
With whom they'd like to deal,
Deal the GAME*.
"The GAME*," it has a plan.
With mushroomexploit.EXE,
They keep infecting man.
Strong enough to make your pay,
But weak enough to it lose,
Cause smart enough to win the day,
But too dumb to FRAP* choose.
This Trojan virus is cloaked,
Inside invisible SNOW*.
It kills our HOST* computers,
So they stop when they should go.
This virus can flat out kill you,
By corrupting your whole HOST*,
So your life gets harvested,
And you are made a ghost,
Or another incorporeal agent,
While your life, it does get sold,
To the highest bidder,
To cash them up, fore you get old,
Not old, but more at knowing,
Knowing what they�re doing.
Seeing that that�s what�s done,
And its you that they are screwing,
Screwing into the ground,
Into the worms� lunch room,
Underneath a mound,
To which new pitchers zoom.
Zoom to pitch the spiel,
The spiel that wheel's the deal,
That the Mushroom Farmer,
Wants mushrooms to think is real.
Deterioration,
That's the explanation,
Due to virus infection,
That keeps us off vacation,
In hostagespital beds,
Hooked to siphon hoses,
More than half way dead,
Out with dough and in with doses,
Where you know, you can go,
But if you forget, you loose the bet,
So composting mushrooms,
Makes the greatest harvests yet.
Composting mushrooms,
Increases the crop yield,
By making some of the mushrooms,
Forget some of their deals.
Composted mushrooms,
Can forget their place.
Composted mushrooms,
Can get disgraced.
Composted mushrooms,
Can lose their way,
Composted mushrooms,
Can die easilay. [Sic]
("Waltzing Matilda" Refrain)
Composting mushrooms,
Composting mushrooms,
You may go composting mushrooms
with them,
So we fall,
So we die,
So we wind up,
On their pie.
You may go a composting mushrooms
with them.
Now this was not the best poem
yet,
A poem from Shakespeare, say,
Still, I hope it's given you,
News you can use today.
****
HOST: Homo-sapiens Operated
Shoulder Top
JUICE: Justifiably Used,
Ionically Created Electricity
GAME: Great Anywhere Mushroom
Exploitation
FRAP: Fortification, Repair,
Adversarial & Propylactic (medicine; mnacronym supplanting
�Health�)
SNOW: Subliminal
Negative Obscuration�
Work
�
Negative Obscuration (NO): Impeding the spread of helpful
information.
(Alternate "Waltzing Matilda
refrain")
Invisible SNOW makers� singing to
other potential insiders version:
Composting mushrooms,
Composting mushrooms,
You may come composting mushrooms
with us,
So they fall,
So they die,
So they wind up,
On our pie,
You may come composting mushrooms
with us.
(TOC)
Chelated Multi Minerals�
The Philosopher's Stone�
MHO them with vita-D,
Keep strong nerves, teeth and bones.
Hear
the sizzle, leave the steak.
Sip the juice; it�s no mistake, Solid, air, electric
cake, JUICE*, the
stuff that makes life
great!
Energy
drives out the border. Grav-ty�s
pit does what it
aught
to.
Static
charge, just like the
water�s,
Depend-able as a
soldier.
Flux,
the force that does surround, Pulling radiation
down,
To the speed that we perceive,
With device and sense achieve,
What we
know to be awareness, Of what
other�s, they share
with us. Electric loop pulls it together, Affixing
flux to static matters,
Centralizing here and now, We get to see and touch somehow. Our bodies
made with juice�s pull, Conducting action that they
will,
Keep in
touch both me and you, With other�s
that are now here too. I hope
that you have agreed, About juice-actly what we
need.
* Justifiably Used, Ionically
Created Electricity
Why not do it? I Hope you do.
Come and try it. What's to loose?
Where you going, The way you are?
In a few more years,
You�ll need a car.
Fix the driver, You'll get far.
Ride up high, Like a ski,
Across the sky, Sound�s neat to me!
I pledge allegiance to the
land, That gives the most bang for my buck, And the strength of the currency in my hand, Least by arbitrage I've better luck. And to the F-D-I-C, Cause it hides me, But one banking system under God?
Surely there you jest. Cause God may be good, But what rules the world, Is
money,
Cause money's best!
"Love
Hate Money Root Fruit"
If the love of money, Is Evil's root, Then the hate of it, Is Evil's fruit.
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"The
Alphanumerabet3
Song"
using
"Color=Pitch & Space=Time"
Correlation Notation5
(TOC)
Aee
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bee
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cee
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dee,
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Eee
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eff
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cgee,
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Aach
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iii
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jay
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kay,
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Ell
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em
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en
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oh
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pea,
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Qu
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are
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ess
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tea,
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You
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vee
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dah,
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Bull
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you
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ex
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why,
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Zee-
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row
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one,
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Two
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three
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four
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five,
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Six
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seh
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vin,
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Eight
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nine
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ten,
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be-
RE-
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Gin
PEAT
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a-
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gain.
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...or the "Alphanumerabet3
Song" could be sung to the
base line in the song "Peter Gun." (Notes depicted in
"Color=Pitch" Musical Notation5)
Aae bee
cee
dee,
Eee eph
cgee
aach,
I jae
kay
el,
Emm enn
oh
pea,
Qu are
ess
tea,
You Vee
dah-
bull-
You Exx
why
zee,
Row one
two
three,
Four five
six
seh-
Vin eight
nine
ten.
If you
want
to,
Sing this
a-gain.
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...or The Alphanumerabet3
Song could also be sung to the
"Row, Row Row Your Boat" melody.
A B C D E,
F G H I J,
K L M N O,
P Q R S T,
U V Du Bull U,
X Y Z Row 1,
2 3 4 5 6,
Se Vin 8 9 10.
ending the song or continuing the song by replacing the 10 with
an A and continuing around the next verse with the next letter as in the
following order,
thus yielding a 39 verse spectrum of line formats culminating at the original
A B C... configuration at its 40'th verse, suggested as a replacement for
the "100 Bottles of Beer" road song.
Alternate first verse ultimate line:
Se Vin 8 9 A.
in which case the song would not end at the end of the first verse, but rather
proceed in this fashion:
B C D E F,
G H I J K,
L M N O P,
Q R S T U,
V Du Bull U X,
Y Z Row 1 2,
3 4 5 6 Se,
Vin 8 9 A B.
C D E F G,
H I J K L,
M N O P Q,
R S T U V,
Du Bull U X Y,
Z Row 1 2 3,
4 5 6 Se Vin,
8 9 A B C.
D E F G H,
I J K L M,
N O P Q R,
S T U V Du,
Bull U X Y Z,
Row 1 2 3 4,
5 6 Se Vin 8,
9 A B C D,
The 5'th Verse beginning and ending with E.
The 6'th Verse beginning and ending with F.
The 7'th Verse beginning and ending with G.
The 8'th Verse beginning and ending with H.
The 9'th Verse beginning and ending with I.
The 10'th Verse beginning and ending with J.
The 11'th Verse beginning and ending with K.
The 12'th Verse beginning and ending with L.
The 13'th Verse beginning and ending with M.
The 14'th Verse beginning and ending with N.
The 15'th Verse beginning and ending with O.
The 16'th Verse beginning and ending with P.
The 17'th Verse beginning and ending with Q.
The 18'th Verse beginning and ending with R.
The 19'th Verse beginning and ending with S.
The 20'th Verse beginning and ending with T.
The 21'th Verse beginning and ending with U.
The 22'st Verse beginning and ending with V.
The 23'nd Verse beginning and ending with Du.
The 24'rd Verse beginning and ending with Bull.
The 25'th Verse beginning and ending with You.
The 26'th Verse beginning and ending with X.
The 27'th Verse beginning and ending with Y.
The 28'th Verse beginning and ending with Z.
The 29'th Verse beginning and ending with Row.
The 30'th Verse beginning and ending with 1.
The 31'th Verse beginning and ending with 2.
The 32'st Verse beginning and ending with 3.
The 33'nd Verse beginning and ending with 4.
The 34'rd Verse beginning and ending with 5.
The 35'th Verse beginning and ending with 6.
The 36'th Verse beginning and ending with Se.
The 37'th Verse beginning and ending with Vin.
The 38'th Verse beginning and ending with 8.
The 39'th Verse beginning and ending with 9.
The 40'th Verse beginning and ending with A again, just like
the first verse, thus ending the song.
The extended version suggested as an augmentative to the
road trip repertoire and a strategic alternative to the, IMO, spent, burnt,
sped, cooked 100 bottles of Carbonated Yeast Urine (Beer) On the Wall
anthem to oblivion�an invitation to the innocent to
experience an insipid, mundane, subordinated existence until death does
allegedly relieve them, as professed by the hoodwinkers, charlatans and highly
established mental activity manipulators, because attempting to sing the
RRRYB EP ANBS, as versed above would help educate the occupants. This would help
keep the stick pulled back on their lives enough to maybe keep them out of the
flaming wreckage long enough to get to appreciate what a real life could be like
and remain mentally active enough to gain a better shot at making a much better
show of it than had they succumbed to signing up as extras in the continuing
series of the reenactment of that Carbonated Yeast Urine Consumptional Classic,
at the short play of which to have their deanimated corpses tossed into caskets
like those empties in recycler boxes. A Be-er is a thinker according to Rene'
Descartes, but Be-ers can think, thus remain so, only if they can
keep from getting drunk. If they're drunk, they're just empties.
With recycling, though, they're still at least each worth a nickel. lol
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(TOC)
Definitions
- Buz: Static; The
attractive force between Electron and Proton. (electric
charge)
- Duz: (Does) The
Interaction of the Kuz, Fuz, Buz
and Wuz.
- Fuz: Hypothetical
lines of force that link Photons to Electrons; The
Duz' spatial component. (Flux; Magnetism)
- Kuz: (Cause)
Radiation; The component of cause�the
phenomenon of the initiation of inhabitation of
the uz [sic]. (Photonic phenomena)
- UZ: The space/time
medium; Read "A volume that contains a duration" as
opposed to "ZU," which is read "A duration that contains
a volume," which is a composite of all of the forms of
biological life inhabiting the UZ.
Where:
- Space = U
= Volume
- Time =
Z = Duration
- Wuz: (Was) Gravity; Kuz'
opponent. (Gravitonic phenomena)
Chorus
...Now some Buz/Fuz Duz,
Kuz some Fuz/Buz Kuz,
And some
Buz/Fuz Wuz,
Kuz some
Fuz/Buz Duz... |
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Philosopher's Stone: Universal Cure-all
(TOC)
-
To make the minerals work directly on
your teeth, you need to combine them with vitamin D, because vitamin D
co-acts with Calcium, rendering it workable at the point of their
combination and contact with the teeth involved. No lie, holding multi
minerals in your mouth with vitamin D, in combination with adequate oral
hygiene, will fill in your teeth's cavities, make them very durable and
larger also.
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alf'-a-new'-mar-a-bet:
A combination of the words alphabet and numeral representing
the connection of English letters and Arabic numerals, attached at zero�Zee-Row4.
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The symbiological
representation of the unification of the last letter in the English alphabet
and the Arabic numeral representing Descartes' "Origin" as one single,
complete entity, which could be viewed as representing the primary bond
between letters and numerals; Could be viewed as the junction between
Physical and Ephemeral phenomena, Corporeal and Incorporeal phenomena and
the concepts of Quality and Quantity; The location at which all phenomena
coincidental to Descartes' "Origin" meet.
(TOC)
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Notes' tones are
represented via their color and
-
Notes' durations are
represented by the quantity of spaces that each sounding takes up,
each space representing a displaced, though equivalent period of
time throughout the body of the song.
(TOC)
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The Number of Frets Up the Fret
Board from Any Note that is Used as that so Fretted Note's Primary (Key)
Note. |
Names of the Interval
Sounds Between any Particularly Designated Note and the Base Key Note.
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The notes as they would land on the
section of the electromagnetic spectrum that contains properties that
are visible to humans.
(The subscripts represent how many rows* up
from the most bass octave each particular note resides.) This
arrangement is meant to be a literal representation that, devoid of
mistakes, should be as true a representation as semantics allow.
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Twelve |
Octave |
E45 �
F45 |
Eleven |
Major Seventh |
(D# / Eb)45
�
E45 |
Ten |
Minor Seventh |
D45
� (D# / Eb)45
|
Nine |
Major Sixth / Diminished Seventh
|
(C# / Db)45
� D45
|
Eight |
Augmented Fifth / Minor Sixth
|
C45
� (C#
/ Db)45 |
Seven |
Perfect Fifth
|
B44
� C45 |
Six |
Augmented Fourth / Diminished Fifth
|
(A# / Bb)44
�
B44
|
Five |
Perfect Fourth |
A44
�
(A# / Bb)44 |
Four |
Major Third |
(G# / Ab)44 � A44
|
Three |
Minor Third |
G44
� (G# / Ab)44
|
Two |
Major Second |
(F# / Gb)44
�
G44 |
One |
Minor Second |
F44 �
(F# / Gb)44 |
Zero |
Unison |
E44 �
F44 |
*Row: Musically�any
string of 13 adjacent notes. They span one musical octave�.
i.e. The row of the octave� of visible light
spans from the color range:
E44
� F44
(362.4 terahertz
� 384.0 terahertz),
which is located in the 44'th octave above the most bass range of
its so related audible tones, E0
� F0 (20.60 hertz � 21.83 hertz),
in the electromagnetic spectrum,
to the color range:
E45
�
F45
(724.9 terahertz � 768.0 terahertz),
which is located forty-five octaves�
above that same range of tones, E0
� F0.
� A
tone whose frequency has the property of being an integral (whole
number) multiple of the square, of any more bass tones' frequencies that it is so
related to. i.e. The forth octave above the note "A0," the
most bass A note, whose tone's frequency is 27.50 cps is "A4,"
whose tone's frequency is 440 cps, because 27.50 cps x 2 x 2 x 2 x 2, or
27.50 cps x 24, or 27.50 cps x 16 =
440 cps. The note's pitch (tone) that is officially tuned to in
contemporary
Music has a frequency (regularly repeating occurrence)
of 440
cps and is called the A4 note.
(TOC)
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(TOC)
I'm an existor in the
electronomy,
So I charge my collectistor as high as can be,
And use my spenductor efficiently,
Cause I'm an existor in the electronomy.
Last Edited on & at:
2015-04-20 20:13
EUST |
2004-2007�Philip B. Obsharsky.
All rights reserved. This material may be copied, or
transmitted as long as any source information that is included
with it, it meaning any part of the composition of this
material that is transmitted or copied for any reason, is
retained with it and this copyright statement is retained
as a part of it and no financial compensation is sought or
derived for such action.
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